The Relentless Image, a photography exhibition at KidSuper Gallery
Bias Cut Magazine made its curatorial debut with "The Relentless Image," a group photography exhibition on view at the KidSuper Gallery from August 21-24, 2026. The exhibit explored the idea of what stories we tell over and over again, unceasingly.
Curated by ARCHIE CARIDE, MAISY LEWIS, and OLIVIA WEIN
“Regardless of our medium, we all tell our own story, the story we care about and the only story we can tell with conviction and passion. We tell it over and over again.”
– Sally Mann, Art Work: On The Creative Life (2025)
Image making is a relentless ritual. Underlying the repetition of photography’s material process is often the repetition of returning, in pursuit of a vision, an idea, a technique, a story, or an image. In this way, image making becomes akin to mining or chipping away. It is accepted that resolution is never a guarantee, and yet, rather than being discouraged, we relent. This exhibition lives within the relenting: focusing on the vision, idea, technique, story, or image that these photographers return to over and over again, unceasingly.
Featuring Chloe Abidi, Nikola Burnett,Jasmine Clarke, Patricia Ellah, Lia Elms, Owen Forbes, Pia Paulina Guilmoth, Zach Hussein, Abdi Ibrahim, Elliott Kreyenberg, Maisy Lewis, Adam Lin, Emlyn Mileaf-Patel, Olivia Parker, Leo Sano, Adali Schell, Miles Urban, Ramona Wang, Olivia Wein, and Dahveed Wilkins.
Left wall, left to right: (1) Ramona Jingru Wang, Kevin and David, 2024. Archival pigment print 30 3/4 x 38 1/2 inches (image), Edition of 10. (2) Adam Lin, Everything We Never Told You (Held), 2024 Archival inkjet print 19 1/2 x 23 1/2 inches (image), 21 3/4 x 26 inches (frame). (3) Patricia Ellah, Portrait of Dafna, 2019 35mm film, archival inkjet print, 16 x 10 3/4 inches (image). (4) Lia Elms, Changelings, 2025, chromogenic hand print, 7 3/4 x 11 inches (image). (5) Abdi Ibrahim, The Guest, 2026 35mm color positive slide film, 34 x 40 inches (image).
Installation view.
Left to right: (1) Dahveed Wilkins, The Clay of Maximo Beach, 2026, silver print, 16 x 20 inches (paper). (2) Dahveed Wilkins, Manifest Destiny I, 2025, silver print, 16 x 20 inches (paper). (3) Dahveed Wilkins, Land Survey I; Syracuse Free Way, 2026, silver print, 7 x 5 inches (paper). (4) Dahveed Wilkins, Homestead Folly, 2026, silver print, 20 x 16 inches (paper). (5) Nikola Burnett, Nothing beats friction, 2026, chromogenic hand print, 14 x 14 inches (image) 20 x 16 1/4 (frame). (6) Nikola Burnett, Everybody Eats, 2026, chromogenic hand print, 14 x 14 inches (image), 20 x 16 1/4 inches (frame).
Installation view.
Left to right: (1) Adali Schell, Friends, Angeles Forest, 2022, chromogenic print, artist frame, 20 3/4 x 30 3/4 inches (frame). (2) Adali Schell, Kali, Santa Monica, 2022, chromogenic print, artist frame, 20 3/4 x 30 3/4 inches (frame). (3) Chloe Abidi, dream ballet, 2025, wood, monitor, 3:35 minute video loop, 23 x 23 1/4 x 2 inches. (4)
Installation view.
Left to right: (1) Pia Paulina Guilmoth, we make a flower, 2024, archival pigment print, 29 1/4 x 23 1/4 inches (frame). (2) Pia Paulina Guilmoth, dust, 2021, archival pigment print, 23 1/4 x 29 1/4 inches (frame). (3) Olivia Wein, Lucid Dreams of Flying I (Self-Portrait), 2026, inkjet print, 24 x 19 1/4 inches (image), 29 x 25 inches (frame). (4) Olivia Wein, Lucid Dreams of Flying III (Self-Portrait), 2026, handwritten note on paper, 5 x 3 1/2 inches. (5) Olivia Wein, Lucid Dreams of Flying II (Self-Portrait), 2026, inkjet print, 6 x 4 inches (image). (6) Adam Lin, Way Home, 2024, archival inkjet print, 19 1/2 x 23 1/2 inches (image), 21 3/4 x 26 inches (frame).
Installation view.
Left to right: (1) Miles Urban, Cul de sac, 2026, archival inkjet print, artist frame, 4 x 5 inches (image), 11 x 12 (frame). (2) Miles Urban, Trance, 2025, archival inkjet print, artist frame, 9 1/4 x 11 1/4 inches (frame). (3) Olivia Parker, Untitled, 2023, archival pigment print, 11 1/4 x 9 inches (image), 14 1/2 x 11 inches (frame).
Installation view.
Center left to right: (1) Adali Schell, Lily, Santa Paula, 2022, chromogenic print, artist frame, 20 3/4 x 30 3/4 inches (frame). (2) Adali Schell, Lily, Malibu, 2024, chromogenic print, artist frame, 20 3/4 x 30 3/4 inches (frame).
Left to right: Leo Sano, Anthropos, 2026, mineral pigment print decals, antique glazed terracotta, rusted iron, 66 x 21 x 4 1/2 inches. (2) Zach Hussein, Untitled (Cross), 2026, inkjet print, 24 x 20 inches (image). (3) Zach Hussein, Sabr, 2025, inkjet print, 24 x 20 inches (image). (4) Zach Hussein, Untitled (Shadi and Khaled I), 2026, inkjet print, 6 x 8 inches (image). (5) Zach Hussein, Untitled (Shadi and Khaled II), 2026, inkjet print, 6 x 8 inches (image). (6) Zach Hussein, Untitled (Shadi and Khaled III), 2026, inkjet print, 6 x 8 inches (image).
Left to right: (1) Jasmine Clarke, Polkmarks, 2025, archival inkjet print, walnut frame, 20 1/4 x 16 1/4 inches (frame). (2) Jasmine Clarke, Zoraya, 2025, archival inkjet print, walnut frame, 20 1/4 x 16 1/4 inches (frame). (3) Owen Forbes, Admission, 2026, archival inkjet print, 50 x 40 inches (image). (4) Owen Forbes, Trading Weights, 2026, archival inkjet print, 14 1/4 x 11 inches (image). (5) Emlyn Mileaf-Patel, Bed, 2025, digital infrared photograph, archival pigment print, 16 1/4 x 13 1/4 (frame). (6) Emlyn Mileaf-Patel, Papa, 2025, digital infrared photograph, archival pigment print, 16 1/4 x 13 1/4 (frame). (7) Elliot Kreyenberg, A Survival Paradox, 2025, ink on silk, 39 x 31 inches (image).
Installation images by Maisy Lewis.