Fabric as a feeling and a body: form that occupies, space that remembers.
One week away from her due date, stylist Sarah Brown reflects on the last nine months while styling herself in her go-to pregnancy outfits.
Inside the mind and closet of a centenarian New Yorker.
For the G-Strings, a show isn’t merely a performance, it's a portal into their own fantastical world with zero limitations.
Zach Hussein is a Palestinian-American photographer who lives and works between the Occupied West Bank and the East Coast of the United States. Shot on 35mm color-positive slide film and printed through a color-negative darkroom process, his images construct throughlines of connection and care between communities separated by seas.
Olivia Reavey (b. 1998) is a photographer working between her studio and darkroom. In her work, found objects become weapons of intervention—they penetrate, distort, and sometimes mirror the body, as if beauty and corrosion are two versions of the same gesture.
Contact Sports’ debut self-titled album has arrived. Amidst a digital dreamscape, the artist builds an electric network.
Bias Cut Magazine made its curatorial debut with "The Relentless Image," a group photography exhibition on view at the KidSuper Gallery from August 21-24, 2026. The exhibit explored the idea of what stories we tell over and over again, unceasingly.
Jilian Medford, also known as IAN SWEET, just dropped her fifth album, Shiverstruck. SWEET is following the beat of her own drum, charting her own course through the brightest and darkest moments life has to offer. Now 33, she reflects on moving to New York, singing for babies, and locking herself up in Atlanta to birth her latest album.
British-Nigerian painter Olaolu Slawn has become one of contemporary art’s fastest-rising names. Michael A. Fadugbagbe argues that beneath the hype lies a practice that repackages American minstrelsy for the age of the algorithm.
Each year, Dialective, a nonprofit fashion collective, platforms the next generation of fashion designers with runway shows produced by students, for students. Bias Cut’s fashion editor Karalyn Hosier sits down with three stand-out graduates, Blue Achenbach, Devlin Ebisu, and Lia Skoien, to discuss impeccable craftsmanship, relentless determination, and what’s next in fashion.
Taking inspiration from Los Angeles’ storied past, The Book of Immortality captures the city’s legacy in babydoll dresses, flowing skirts, and vintage-inspired blouses.
Sculptor César E. López delves into the nuance of his seemingly harsh and industrial sculptures, revealing their biometric qualities and relation to his experience as a Guatemalan immigrant in the United States.
Los Angeles artist Clyde Corley has forged a new path. After a successful career in commercial art direction, he’s departing from what he’s known for and developing a new, subversive signature with sculpture.
In Georgica Pettus’ 2025 play, Seconds Minutes Hours, four actors portray the minds and bodies of a man and a woman lying in bed together for 10 minutes as they inwardly contemplate lust, love, and life. Stretched into a 90 minute play, the performance features Georgica acting as the mind of Molly, while Stella Jiler plays Molly’s body. Now that the play has wrapped, the two women reflect on cognitive connections and matching haircuts.
Stylist Karalyn Hosier draws inspiration from photographs by artist Elisa Decker, translating abstraction into living forms of dress on Elisa herself in an exchange between stylist and artist.
Artists Ava Kalitowski and Ellie Hill created London’s young and inclusive Art Club, where emerging creatives from around the world are given free reign to showcase their work, funded by bake sales and drawing classes at their local pub. As their collective finishes out its first full year, the founders and best friends reflect on their first year together at its helm.
Maria Mosier is a New York-based interdisciplinary artist whose practice investigates the likeness and connectivity between space and body, infrastructure and organism.