Bias Cut Magazine made its curatorial debut with "The Relentless Image," a group photography exhibition on view at the KidSuper Gallery from August 21-24, 2026. The exhibit explored the idea of what stories we tell over and over again, unceasingly.
After an astrologically loud summer, September greets us with a halt. The lightness that usually accompanies the end of summer feels weighed down this year—like trying to run on the beach in platform Doc Martens. Last month’s eclipses brought chaos and change, and we likely feel somewhat spent and overextended.
Jilian Medford, also known as IAN SWEET, just dropped her fifth album, Shiverstruck. SWEET is following the beat of her own drum, charting her own course through the brightest and darkest moments life has to offer. Now 33, she reflects on moving to New York, singing for babies, and locking herself up in Atlanta to birth her latest album.
British-Nigerian painter Olaolu Slawn has become one of contemporary art’s fastest-rising names. Michael A. Fadugbagbe argues that beneath the hype lies a practice that repackages American minstrelsy for the age of the algorithm.
Each year, Dialective, a nonprofit fashion collective, platforms the next generation of fashion designers with runway shows produced by students, for students. Bias Cut’s fashion editor Karalyn Hosier sits down with three stand-out graduates, Blue Achenbach, Devlin Ebisu, and Lia Skoien, to discuss impeccable craftsmanship, relentless determination, and what’s next in fashion.
Shocks of sudden color traversing dusty corners, climbing, lounging, and lingering in spaces unfamiliar.
Photographer Mathilde Favel captures the intimate gestures, objects, and moments that commemorate what it means to interact with our world and each other when we’re young.
Sculptor César E. López delves into the nuance of his seemingly harsh and industrial sculptures, revealing their biometric qualities and relation to his experience as a Guatemalan immigrant in the United States.
Los Angeles artist Clyde Corley has forged a new path. After a successful career in commercial art direction, he’s departing from what he’s known for and developing a new, subversive signature with sculpture.
Greta Alexandra-Parker is an Oklahoma City based artist working in photography. Focused on family narratives in the American West and South, her work explores settler colonialism in the wake of the 21st century, environmental collapse due to land expropriation, and intergenerational family legacies.
How a generation of artists make meaning in the digital abyss.
This summer starts on a high note for everyone. The first week of June is supercharged with momentum that is here to help, ultimately peaking on June 9th when Venus and Jupiter make a conjunction in Cancer.
In Georgica Pettus’ 2025 play, Seconds Minutes Hours, four actors portray the minds and bodies of a man and a woman lying in bed together for 10 minutes as they inwardly contemplate lust, love, and life. Stretched into a 90 minute play, the performance features Georgica acting as the mind of Molly, while Stella Jiler plays Molly’s body. Now that the play has wrapped, the two women reflect on cognitive connections and matching haircuts.
Stylist Karalyn Hosier draws inspiration from photographs by artist Elisa Decker, translating abstraction into living forms of dress on Elisa herself in an exchange between stylist and artist.
Olivia Reavey (b. 1998) is a photographer working between her studio and darkroom. In her work, found objects become weapons of intervention—they penetrate, distort, and sometimes mirror the body, as if beauty and corrosion are two versions of the same gesture.