On Latency
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On Latency

Zach Hussein is a Palestinian-American photographer who lives and works between the Occupied West Bank and the East Coast of the United States. Shot on 35mm color-positive slide film and printed through a color-negative darkroom process, his images construct throughlines of connection and care between communities separated by seas.

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Ankle Biter
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Ankle Biter

Olivia Reavey (b. 1998) is a photographer working between her studio and darkroom. In her work, found objects become weapons of intervention—they penetrate, distort, and sometimes mirror the body, as if beauty and corrosion are two versions of the same gesture.

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Fragmented Touch
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Fragmented Touch

Photographer Mathilde Favel captures the intimate gestures, objects, and moments that commemorate what it means to interact with our world and each other when we’re young.

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Familial Intimacies
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Familial Intimacies

Greta Alexandra-Parker is an Oklahoma City based artist working in photography. Focused on family narratives in the American West and South, her work explores settler colonialism in the wake of the 21st century, environmental collapse due to land expropriation, and intergenerational family legacies.

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Up North
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Up North

Karl-Hens Pompilus is a 27-year-old Haitian photographer. At 10 years old, he moved to New York City beyond a life defined by survival. With his camera as a tool, Karl-Hens approaches photography as a means of confrontation and reflection.

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Mirror Stage
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Mirror Stage

The Mirror Stage is a psychoanalytic concept that describes the developmental stage where infants view their reflection in a mirror as a part of themself rather than a real experience in a fragmented body.  

The misrecognition of self that occurs in the mirror stage can create a false illusion of wholeness or an idealized image of “I.” While most children grow out of this stage, twins are faced with the rare experience of viewing their own reflection in another person for their entire lives.

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